翻訳と辞書
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・ Tree of Codes
・ Tree of Freedom
・ Tree of Hands
・ Tree of Heaven (TV series)
・ Tree of Hippocrates
・ Tree of Jesse
・ Tree of Jiva and Atman
・ Tree of Knowledge
・ Tree of Knowledge (Australia)
・ Tree of Knowledge (film)
・ Tree of Knowledge System
・ Tree of Liberty (newspaper)
・ Tree of life
・ Tree of life (biblical)
・ Tree of life (biology)
Tree of Life (craft)
・ Tree of life (disambiguation)
・ Tree of life (Kabbalah)
・ Tree of Life (Kester)
・ Tree of Life (novel)
・ Tree of life (Quran)
・ Tree of Life (White)
・ Tree of Life Christian Schools
・ Tree of Life mural (Manav Gupta)
・ Tree of life vision
・ Tree of Life Web Project
・ Tree of Life, Bahrain
・ Tree of Pain
・ Tree of patriarchy
・ Tree of Peace


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Tree of Life (craft) : ウィキペディア英語版
Tree of Life (craft)

A Tree of Life ((スペイン語:Árbol de la vida)) is a theme of clay sculpture created in central Mexico, especially in the municipality of Metepec, State of Mexico. The image depicted in these sculptures originally was for the teaching of the Biblical story of creation to natives in the early colonial period. The fashioning of the trees in a clay sculpture began in Izúcar de Matamoros, Puebla but today the craft is most closely identified with Metepec. Traditionally, these sculptures are supposed to consist of certain biblical images, such as Adam and Eve, but recently there have been trees created with themes completely unrelated to the Bible.
==Origins of the craft==

The creation of Trees of Life is part of the pottery and ceramic traditions of central highlands of Mexico. Pottery in this area can be traced back to between 1800 and 1300 B.C. including clay figures. The painting of these figures begins later after Olmec influence arrived in the area. Around 800 A.D. Teotihuacan influence brought religious symbolism to many ceramic wares. From then on, Matlatzinca pottery in what is now Mexico State continued to develop with multiple influences since it was in a strategic position between the Valley of Mexico and what are now the states of Morelos and Guerrero.〔
After the Spanish conquest, friars destroyed articles, including ceramics, that depicted the old gods, and replaced them with images of saints and other Christian iconography. The depiction of a “tree of life” in paintings and other mediums was introduced as a way to evangelize Biblical stories to the native population.〔
During most of the colonial period, ceramics in Mexico State were mostly produced for self consumption. Ceramics became a fusion of Spanish and indigenous techniques and designs. It remained so until the first half of the 20th century, when decorative and even luxurious pieces began to be produced. This type of work is typified by the tree of life, especially those that are not religious in function. These non-religious trees have themes such as death or spring.
The construction of clay tree sculptures with the Biblical theme of the Garden of Eden began in Izucar de Matamoros in Puebla State and spread to other areas, particularly to Metepec, Mexico State, which distinguished their trees by painting them in bright colors.〔 The tree sculptures have become emblematic of this municipality, and are part of a clay sculpture tradition found only here.〔 Other common clay sculptures include mermaids (with a giant one in a section of town called Ciudad Tipica) as well as Pegasus, roosters, lions, flowers and more.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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